Aug 30, 2011
Rohan

Zen and the art of digital development

In the Zen contemplative tradition there are things called koans – impossible questions which are used as devices by meditators.  You’ve probably heard of a couple of them such as “what is the sound of one hand clapping?” or “if a tree falls in the forest and no-one is there to hear it…yadda etc”.

For the zen practitioner these koans are devices used to push the limits of the conventional mind.  The technique is that we ask the question, listen for an answer, recognise the answer and then ask again.  And each time we ask the answer becomes more nuanced until there are no answers left.

In the less esoteric discipline of arts administration there is also an impossible question – “what is the relationship between arts and digital?”.  However unlike a good zen practitioner rather than taking the first answer we think of and then just carry on with the inquiry, we tend to take that first answer – marketing – and think it’s the answer.

This is at best a lazy and at worst a misguided approach.  Because while marketing may be the first answer and worthy of our attention, the second and third and fourth are too.  Programming, co-creation, new behaviours, social, personalisation, new spaces, play.  And the rest.

The interplay between arts and digital is so rich that it is perhaps hubristic to limit our view to that which we are already so familiar and not look with fresh eyes and fresh minds.

Therefore perhaps we should genuinely take this question of arts & digital as a koan – and keep asking it again and again as an open line of inquiry until there are no answers left.

Then perhaps might we rightly call ourselves arts managers in a digital age.  Armed with a little less certainty and a bit more optimism in our not-knowing.

 

1 Comment

  • Its an interesting perspective, and in my experience the assumption that, in the arts, digital = marketing is the most obvious answer to the question, the easy win. However, most arts organisations have more nuanced, imaginative answers to the question as well. AmbITion Scotland participants; those on the Federation of Scottish Theatre’s digital development Action Research project; the festivals themselves; the British Council’s Edinburgh Showcase 2011 digital day (just a few examples of current activity here in Scotland) all engage with arts organisations who have rich, creative aspirations in relation to digital that span their whole practice and business.

    Whether they can achieve immediately those other aspirations as easily as they can use digital to improve marketing is the bigger issue for the sector: traditional infrastructure and methods of working (and mindsets) have to be changed and innovated incrementally towards digital practices in order to facilitate the potential of the new ideas. Organisations often need bespoke support to enable this holistic change, as it reaches every part of who they are and what they make. This is no small undertaking! Do look to the case studies of AmbITion Scotland at http://getambition.com/videos for more evidence of the culture sector looking at their traditional offer with fresh minds and eyes.

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